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Michael Moore – maker of fictitious films

RichardR

Master Poster
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Nov 21, 2001
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I know this film has been discussed before, but I thought it would be worthwhile to post a fairly detailed explanation of how Michael Moore deliberately misrepresented some actual events to support his agenda.

I came away from the movie with the strong image of the NRA as an aggressive, insensitive organization, holding pro-gun rallies just after the shootings at both Littleton and Flint. At the end of the movie, Charlton Heston is also shown as being evasive and even dishonest in his recollection of especially the Flint rally. However, I’m now convinced Moore deliberately and dishonestly misrepresented these two events to present a very different version from what actually transpired. I’ve checked many sources on this, and the following seems to be what happened.

Firstly, the Denver NRA rally was not held specifically because of the Columbine shooting, as the movie implied. In fact, it was the annual meeting of the NRA, planned a long time in advance and difficult to change. Furthermore, the NRA severely curtailed the meeting because of the shooting: it was originally a three day event, but after the Columbine shooting, the NRA canceled their gun show and banquet, and scaled back the meeting to one day only. The meeting that remained was the minimum required by statute. None if this is mentioned by Moore.

Secondly, the speech Heston is shown giving, is actually a mix of two speeches, namely the one given in Denver, and another given a year later in Charlotte. In addition, the Denver speech is aggressively edited to remove conciliatory references and to make it sound like Heston didn’t care about the shooting. Editing tricks cover the joins. The effect is to change the meaning of Heston’s speech.

Thirdly, the NRA rally in Flint, that Moore strongly and deliberately leads you to believe took place within 48 hours of the shooting, actually took place at an unrelated election rally eight months later. (One of many that Heston attended around this time.)

These three things, if represented honestly, would have completely changed the impression given of the NRA, and of how Heston was portrayed in his interview with Moore.

Look at these details, and references:

Firstly, read in the Denver local paper what Moore didn’t tell you, namely that this meeting was required by law, and that it had been significantly scaled back:
The National Rifle Association on Wednesday dramatically scaled back events it will host during its annual convention to be held in Denver next week.

"The tragedy in Littleton last Tuesday calls upon us to take steps, along with dozens of other planned public events, to modify our schedule to show our profound sympathy and respect for the families and communities in the Denver Area in their time of great loss," NRA President Charlton Heston and Executive Vice President Wayne LaPierre said in a prepared statement.

The NRA convention originally was scheduled to last all day April 30 and May 1 and 2, with exhibits by nearly 300 gun dealers and others ranging from Glock Inc. and Soldier of Fortune to the Rocky Mountain Elk Foundation.

The group instead will hold its annual meeting of members at 10 a.m. May 1 at the state's Convention Center, "as required by New York not-for-profit statutes which govern our bylaws," Heston and LaPierre's release said. Association officials on Wednesday said they would not conduct any "festive" events.
In addition, the actual Denver speech started with a moment of silence for the Columbine victims, according to the Denver “Rocky Mountain News”::
The most recent time Charlton Heston was in Denver, he opened the National Rifle Association meeting with a moment of silence.
It was May 1999, two weeks after the Columbine High School tragedy.
Moore doesn’t mention any of this. His record of the Denver meeting starts with the commentary: “just 10 days after the Columbine mass murders, Heston came to Denver and held a large pro-gun rally”, and shows Heston raising a rifle, and with him speaking the words "From my cold dead hands!" Moore neglects to say that this is from Heston’s May 2000 speech (exactly a year later), given in Charlotte, NC. Read the NRA transcript of that speech: which I have corroborated from independent sources.

Having replaced the actual “a moment of silence” with a different year’s "From my cold dead hands!", Moore inserts a lengthy commentary as misdirection, and then cuts to the actual speech given in 1999. (He needs this lengthy misdirection because Heston is now wearing a different suit, shirt and tie.) Moore then heavily edits the 1999 speech to change its meaning. Here is the NRE transcript of Heston's May 1999 speech given in Denver, that I have also corroborated from independent sources.

I have quoted the whole speech. But I have put in bold and underlined, the extracts that Moore shows in his film. The other words are all omitted, See the conciliatory remarks that have been omitted. See if you think the meaning has been altered.

Good morning.

I want to welcome you to this abbreviated annual gathering of the National Rifle Association. Thank you for coming and thank you for supporting your organization.

I also want to applaud your courage in coming here today. of course, you have a right to be here.


As you know, we've canceled the festivities and fellowship we normally enjoy at our annual gatherings. This decision has perplexed a few and inconvenienced thousands. I apologize for that.

But it's fitting and proper that we should do this ... because NRA members are, above all, Americans. That means whatever our differences, we are respectful of one another and we stand united, especially in adversity.

Wellington Webb, the Mayor of Denver, sent me a message: "Don't come here. We don't want you here."

I say to the Mayor,
"I volunteered for the war they wanted me to attend when I was 18 years old. Since then, I've run small errands for my country from Nigeria to Vietnam." I know many of you could say the same. But the Mayor said, "Don't come."

I'm sorry for that. I'm sorry for the newspaper ads saying the same thing. "Don't come here." This is our country. As Americans we are free to travel wherever we wish in our broad land. They say we'll create a media distraction. But we were preceded here by hundreds of intrusive news crews.

They say we'll create political distraction. But it has not been the NRA pressing for political advantage, calling press conferences to propose vast packages of new legislation.

They say, "Don't come here." I guess what saddens me most is how it suggests complicity. It implies that you and I and eighty million honest gun owners are somehow to blame, that we don't care as much as they, or that we don't deserve to be as shocked and horrified as every other soul in America mourning for the people of Littleton.

"Don't come here." That's offensive. It's also absurd, because we live here.

There are thousands of NRA members in Denver and tens upon tens of thousands in the state of Colorado.

NRA members labor in Denver's factories, populate Denver's faculties, run Denver corporations, play on Colorado sports teams, work in media across the front range, parent and teach and coach Denver's children, attend Denver's churches, and proudly represent Denver in uniform on the world's oceans and in the skies over Kosovo at this very moment.

NRA members are in City Hall, Fort Carson, NORAD, the Air Force Academy and the Olympic Training Center.

And yes, NRA members are surely among the police and fire and SWAT team heroes who risked their lives to rescue the students of Columbine from evil, mindless executioners.

"Don't come here?" We are already here. This community is our home. Every community in America is our home. We are a 128-year-old fixture of mainstream America. The Second Amendment ethic of lawful, responsible firearm ownership spans the broadest cross-section of American life imaginable.

So we have the same right as all other citizens to be here ... to help shoulder the grief ... to share our sorrow ... and to offer our respectful, reasoned voice to the national discourse that has erupted around this tragedy.

One more thing. Our words and our behavior will be scrutinized more than ever this morning. Those who are hostile toward us will lie in wait to seize on a soundbite out of context, ever searching for an embarrassing moment to ridicule us. So let us be mindful ... the eyes of the nation are upon us today.
Moore ends with Heston’s closing remarks from a different speech he made at the end of the day. All the joins are hidden with clever editing - cutting to other scenes and back to the speech again, and so on - with Moore’s commentary as misdirection. It is clearly deliberate. (And the last paragraph is particularly ironic, considering Moore’s eventual treatment of what Heston had actually said.)

Following Denver, Moore moves on to Kayla Rolland, the little girl from Flint who was shot at her school, and whose picture Moore left at Heston’s home at the end of the movie. After covering the shooting, Moore momentarily displays a rostrum camera shot of a newspaper article, and quickly highlights and magnifies the words “within 48 hours”, and simultaneously comments: "Just as he did after the Columbine shooting, Charlton Heston showed up in Flint, to have a big pro-gun rally". You are meant to think the NRA meeting took place within 48 hours of the shooting, although Moore is careful not to actually say that. (I believe the newspaper article actually refers to a written response from the NRA, that came “within 48 hours” of the shooting, but it is taken off the screen too quickly to be sure. I await the DVD.)

Due to this almost subliminal messaging, the audience now thinks the meeting took place 48 hours after the shooting, and the next thing you hear is Heston’s spoken words "From my cold dead hands!" again. But this time it’s without the visual. (I guess Moore figured this time we’d notice it was a different speech.) Moore then shows some clips of Heston giving a pro-NRA speech, presumably in Flint.

Now lets look at the timeline. According to CNN, Kayla Rolland was killed on Feb. 29, 2000.

However, I can find no reference anywhere (outside of reviews of Moore’s movie), of any NRA rally held in Flint before October of that year. In fact, it appears that the footage shown in the movie was from October 2000. This was a political rally to support Bush's presidential candidacy - one of many such appearances by Heston during that campaign. You know this, because on the clip Moore shows, you can (if you’re quick), see a “Bush/Cheney” poster. The only impartial reference I found for the actual date, was in The Flint Journal:

Heston is shown visiting Flint and Littleton shortly after their respective shootings; he and other NRA officials spoke at a pro-gun rally at the IMA Sports Arena in October 2000
That was nearly eight months later, and not connected to the shooting. Moore not only neglects to mention this, he deliberately fosters the impression that this rally was held almost immediately after, and as a direct response to, the shooting. And by later challenging Heston with this, Heston looks shifty because he says he didn’t know the NRA meeting was held just after the shooting. In reality Moore is the dishonest one, because he knows it wasn’t held just after the shooting.

Someone said this is not important since Moore is only a comedian, a bit like Jon Stewart on The Daily Show (although less funny), where everyone knows it’s made up. The trouble is, Moore pretends it’s not made up, and people believe him. And I also believe he has some useful points to make, but you don’t know when he’s telling the truth and when he isn’t. This goes beyond hyperbole and exaggeration. This is just dishonesty. Lying, actually. And I find this particularly hypocritical coming from someone who made a speech at the Oscars complaining about living in fictitious times and going to war for fictitious reasons. This film is fictitious. And it’s not the first time Moore has lied or misrepresented data. In fact, Moore admits that he does not have to be accurate in what he reports.

And now I hear he is making another “documentary”:

But perhaps most shockingly, Moore will also spell out alleged dealings between two generations of the Bush and bin Laden clans, according to Variety.

"The primary thrust of the new film is what has happened to the country since Sept. 11, and how the Bush administration used this tragic event to push its agenda," Moore said in the Variety report.

But, of course, Moore would never use “this tragic event” to push his agenda.

Moore said the film "certainly does deal with the Bush and bin Laden ties," and "asks a number of questions that I don't have the answers to yet, but which I intend to find out." The trade paper said Moore has done research for the film for a year.
(My emphasis)

The question is, does he mean “find out” or “make up”?
 
It's lind like "60 Minutes". If they want to paint you as the bad guy, look out! Or worse, a John Stossel special report! If you ever see that guy coming your way, RUN!
 
Wow, good job. Based on what you've got, I'd agree that Moore did a hatchet job to make Heston and the NRA look worse.

IIRC, and my memory can be faulty, the press picked up on the fact that the NRA had a planned rally in a location that had another tragic shooting. There was something "ironic" about the 48 hours, but I can't honestly remember what, only that it was a big deal in the press at the time.

I was intending to rent this movie, I'll try to watch it with a more critical eye when I do.
 
specious_reasons said:
IIRC, and my memory can be faulty, the press picked up on the fact that the NRA had a planned rally in a location that had another tragic shooting. There was something "ironic" about the 48 hours, but I can't honestly remember what, only that it was a big deal in the press at the time.
It's this one.

Trouble is, who knows what the truth is? I certainly don't trust Moore's word on it.
 
More information on errors and falsehoods in Moore's film:
http://www.hardylaw.net/Truth_About_Bowling.html

First thing mentioned is the error in the Moore film that the 'missle' factory that is in the town doesn't actually make military rockets, but makes launch vehicles for satelites.

Also contains the same information on his creative editing of speaches, problems with statistics, etc.
 
Not sure if anyone else saw this, but Moore is still denying he made anything up (although he didn't refute all of the points). He chastized Roger Ebert in a letter for making reference to the made-up portions of Bowling for Columbine (note that Ebert still seemed to like the documentary overall):

http://www.suntimes.com/output/answ-man/sho-sunday-ebert231.htm

Just sort of interesting....

-Elektrix
 
Segnosaur said:
More information on errors and falsehoods in Moore's film:
http://www.hardylaw.net/Truth_About_Bowling.html
That was the reference that started me off. I checked a lot of David Hardy’s facts, and exchanged some emails with him.

I also found quite a few references he didn’t have. :cool:

Segnosaur said:
First thing mentioned is the error in the Moore film that the 'missle' factory that is in the town doesn't actually make military rockets, but makes launch vehicles for satelites.
True. But even if they did make weapons there, it’s a stretch (and that’s being polite), to say that the killers’ actions were inspired by it. Correlation is not causation, as we all know, and Moore offers no evidence that the Lockheed-Martin works had anything to do with it.
 
Elektrix said:
Not sure if anyone else saw this, but Moore is still denying he made anything up (although he didn't refute all of the points). He chastized Roger Ebert in a letter for making reference to the made-up portions of Bowling for Columbine...
I believe this is the Wall St Journal article that Ebert was referring to:

"I put $1,000 in a long-term account, they did the background check, and, within an hour, I walked out with my new Weatherby," a rifle.

But Jan Jacobson, the bank employee who worked with Mr. Moore on his account, says that only happened because Mr. Moore's film company had worked for a month to stage the scene. "What happened at the bank was a prearranged thing," she says. The gun was brought from a gun dealer in another city, where it would normally have to be picked up. "Typically, you're looking at a week to 10 days waiting period," she says. Ms. Jacobson feels used: "He just portrayed us as backward hicks."
 
RichardR said:
It's this one.

Trouble is, who knows what the truth is? I certainly don't trust Moore's word on it.

It certainly didn't bother me that NRA was having it's national meeting after Columbine. It was planned, so they just have to bear out the bad publicity. What stuck out in my mind was that the NRA didn't move to remove the "Giant Chuck Heston hugging his rifle" billboards.
 
Segnosaur said:
More information on errors and falsehoods in Moore's film:
http://www.hardylaw.net/Truth_About_Bowling.html
Shameless bump!

I emailed David Hardy with some observations I had made on the Flint NRA meeting deception. Hardy clearly has a copy of the movie, because he reviewed it and today added these details to his web page (crediting me with it too – very honorable, especially considering he added quite a bit of his own too that is worth reading).

Let's go a little deeper into how Moore creates the impression that one event was right after the other. Moore does this so smoothly that I myself didn't spot it despite numerous viewings. It was picked up by Richard Rockley, who was kind enough to send me an email pointing it out. Moore's sequence is:

Shot of Moore comforting school principal. As they turn away, we hear Heston's voice: "From my cold, dead hands." [I can find no record that this was said at the Flint rally; it appears Moore is again attributing it to a speech where it was not uttered.] When Heston's face is visible, he's telling a group that freedom needs you now, more than ever, to come to her defense.

Moore: "Just as he did after the Columbine shooting, Charlton Heston showed up in Flint, to have a big pro-gun rally."

Moore continues on to say that before he came to Flint, Heston had been interviewed by the Georgetown Hoya about Kayla's death...

Image of Hoya (a student paper) appears on screen, with highlighting on words of reporter mentioning Kayla Rolland's name, and highlighting on Heston's name (only his name, not his reply) below as he answers. Image is on screen just long enough for the viewer to skim the highlighted words and gather that Heston was asked about her and replied.

What is not highlighted, and impossible to read except by repeating the scene several times, is that the reporter asks about Rolland and about the Columbine shooters, and Heston replies only as to the Columbine shooters. There is actually no indication that he recognized Kayla Rolland.

And, Moore continues, the case was discussed on Heston's own webpage...

Image of a webpage for America's First Freedom (a website for NRA, not for Heston) with text "48 hours after Kayla Rolland was prounced dead" highlighted and zoomed in on. Again, the image is visible so briefly that only highlighted text can be read.

[After several replays I could discern that this relates to something that appeared on the Today Show, 48 hours later, and not to any NRA activity at that time. The text appears and ends so far that even with replays I could not discern what the Today Show did.]

Scene cuts to a Million Moms March member, apparently protesting Heston's appearance (presumably at Flint, although we have to trust Moore on this), and asking how could Heston come here, "it's like he's rubbing our face in it."

The sequence of events cleverly compresses time for the viewer, turning eight months into a couple of days. Let's deconstruct Moore's method here.

Just as at Columbine (which, the viewer had been told, was only a few days later), Heston came to Flint. He is seen saying that freedom needs you now, more than every before. Deprived of its context (an election rally) your mind forms an impression: Heston is reacting to some specific event.

The viewer is told he'd already been interviewed about the matter. Your mind strives to contexualize this -- aha, he was told about it and was reacting.

An image of something from an NRA webpage flashes on, relating to an event "48 hours after Kayla Rolland was pronounced dead," and

The protestor says that Heston is present in Flint to rub people's faces in the tragedy.

Reading this, and the real background, you can discern what really happened. But as the images flash by in the movie (the whole sequence takes 40 seconds) the viewer has no time for that. The viewer thinks he or she understood the sequence.

(Snip)

If told "The Today Show sent a reporter there 48 hours after her death," you might wonder -- so what? Instead, you are given a 2-3 second glance at text saying that something happened then. Your own mind, seeking the relevance of that, associates it with the context into which Moore put it; Heston is in Flint, seems to be speaking about some recent event, people are saying he's rubbing faces in it .... the viewer's mind puts it into a logical progression: Heston is coming to Flint as a reaction, 48 hours after her death, to rub people's faces in it.

Moore is a genius here. Unfortunately, a deceptive (dare we use the word "evil" today) one. He turns the viewer's mind, its logical processes and quest for context, against itself.

Actually, I’m not sure I agree Moore is a genius. I don’t believe this is that difficult to do, as long as you are not bothered by “facts”.
 
Moore isn't finished making fiction.

He's making a film about 9/11, too.

Fresh from his Oscar ceremony tirade against a 'fictitious President' fighting a 'fictitious war', documentary-maker Michael Moore has said he is setting his sights on the alleged links between former President George Bush senior and the Saudi family of Osama bin Laden.
Moore, whose exploration of US gun violence, Bowling for Columbine, is one of the most commercially successful documentaries ever, said his new film, tentatively titled Fahrenheit 911, will examine what has happened to the US since 11 September.

The film will look at the alleged 'murky relationship' between Bush senior, controversial defence investment firm the Carlyle Group, and the bin Laden family. According to Moore, the former President had a business relationship with bin Laden's father, Mohammed, who left $300 million to his son.

Although the bin Laden family has severed its ties with Osama, 'the senior Bush kept his ties with the bin Laden family up until two months after 11 September,' Moore claimed.

Can you see the misdirection from a mile away, or what?
 
LukeT said:
Moore isn't finished making fiction.

He's making a film about 9/11, too.

Can you see the misdirection from a mile away, or what?
Can you say “use 9-11 to push an agenda”?

Of course, we have yet to see what goes into this film, but what is the big deal even if Bush did have dealings with bin Laden’s family? The family had publicly rejected Osama, as I recall. The bin Laden business is, as far as I know, a legitimate business. Americans deal with Saudi businesses all the time.

Of course, Moore admits he doesn’t have to be accurate in what he reports, so I’m sure he will report some dirt.
 
You gotta love someone who's so unafraid of being politically incorrect as Moore. I think his movies are fascinating and funny in the same way King Of The Hill is fascinating and funny: It's so almost true.

His work has always been much more editorial than anything. The few times I've seen or read interviews with him he doesn't deny it. It seems his work is mostly objectionable if one disagrees with the point of view (easy to understand) rather than the craft involved.

I think the comparison with Limbaugh is pretty good. The biggest difference is I don't see Moore in bed with the Democratic party the way Limbaugh is with the Repubs.
 
Moore is no documentarian it appears.

It sounds as if Michael Moore has allowed his preconceived opinions to color his films to the point of lessening any regard he enjoyed as a documentarian. It's accepted that documentarians may assemble facts and footage supporting one point of view over others. Using editing tricks and staged shots to distort reality toward one's point of view is not documentary filmmaking, but some sort of fantasy. It suggests that honest support for your position is unavailable and that contrived footage has to be used. Of course, Mr. Moore may never have claimed to be a documentarian, even though what he has produced has been reviewed on that basis. Aside from what to call Mr. Moore's films or what sort of user warning to paste on them, the practical question may be how large is the audience for a "documentary" that may be a fantasy or a piece of fiction masquerading as documentary?
 
shecky said:
You gotta love someone who's so unafraid of being politically incorrect as Moore. I think his movies are fascinating and funny in the same way King Of The Hill is fascinating and funny: It's so almost true.
I agree. I think he has some useful points to make. It’s just a pity that 50% of what he says is crap, and as we now know, he fabricates evidence.

shecky said:
His work has always been much more editorial than anything. The few times I've seen or read interviews with him he doesn't deny it. It seems his work is mostly objectionable if one disagrees with the point of view (easy to understand) rather than the craft involved.
I agree again. Moore has specifically said that his books have errors in them, but excuses it as “comedy”. Well OK, if he is presenting himself in the same way as (say), Jon Stewart of The Daily Show (only much less funny). We know TDS makes things up – that’s the whole point. Moore expects us to give him leeway as his stuff is just “comedy”, but he also believes he is making valid points. But editorial and hyperbole are one thing. You can spot what he’s doing and form your own opinion about whether he is right or wrong. When he fabricates evidence, you don’t know without a lot of investigation. And if you have to do that before you can form an opinion, then he isn’t much use as a source, IMO.

shecky said:
I think the comparison with Limbaugh is pretty good. The biggest difference is I don't see Moore in bed with the Democratic party the way Limbaugh is with the Repubs.
I haven’t listened to Limbaugh for years. But in any case, saying that your opponents are just as dishonest is a “two wrongs make a right” fallacy, as we all know. ;)
 
RichardR said:
You are meant to think the NRA meeting took place within 48 hours of the shooting, although Moore is careful not to actually say that. (I believe the newspaper article actually refers to a written response from the NRA, that came “within 48 hours” of the shooting, but it is taken off the screen too quickly to be sure. I await the DVD.)

I have the movie as an AVI. After pausing, I found the article in the web archives here:

http://web.archive.org/web/20000618...dministration/publications/tag/article2.shtml

48-hours after Kayla Rolland is pronounced dead, Bill Clinton is on The Today Show telling a sympathetic Katie Couric, "Maybe this tragic death will help."

The bold section is what is highlighted in the film. Definitely MM trickery there. Oh well, it was still a fun movie to watch :)

- A
 
I very much enjoyed reading this thread -- a job well-done, indeed.

Today, I came across this article and thought I'd share.


***Edited to update the URL since it moved.
 
Thanks alancarre and Wolverine for those references.

How did you get the movie as an AVI, Alan? Useful to be able to pause it, though.

Dave Kopel makes an observation, that I didn’t make at the time, but did later. Namely, that in drawing the connection between Lockheed-Martin’s “weapons of mass destruction” and the shooting, he is as guilty of those who draw a connection between Marilyn Manson and the shooting. (More guilty, actually.) Especially ironic since the title, Bowling For Columbine, was to demonstrate that there is as much connection between bowling and the shooting, as there is between Manson and the shooting. (ie, none.)

Or, as we would say, correlation is not causation. Or, that Post Hoc Ergo Propter Hoc is a fallacy.

The question is, does Moore know he is relying on the same fallacy and just doesn’t care (thinks his audience are idiots), or is he the idiot who doesn’t realize? I’m leaning towards “Moore = idiot”, but I’d be interested in anyone else’s views.
 
RichardR said:
Thanks alancarre and Wolverine for those references.

How did you get the movie as an AVI, Alan? Useful to be able to pause it, though.

I found it on WinMX. Tons of movies there.


Dave Kopel makes an observation, that I didn’t make at the time, but did later. Namely, that in drawing the connection between Lockheed-Martin’s “weapons of mass destruction” and the shooting, he is as guilty of those who draw a connection between Marilyn Manson and the shooting. (More guilty, actually.)

I think he's wondering out loud that that connection is just as plausible, if not more plausible, than some other connections. Marilyn Manson also pointed out that "the president had just bombed Kosovo" on the day of the shooting. I don't think it's an unfair question regardless of what the actual reason was (which is still unknown to my knowledge).


The question is, does Moore know he is relying on the same fallacy and just doesn’t care (thinks his audience are idiots), or is he the idiot who doesn’t realize? I’m leaning towards “Moore = idiot”, but I’d be interested in anyone else’s views.

Again, I don't think it's a matter of him relying on a fallacy. He is trying to point out a fallacy by presenting other, perhaps more plausible explanations that were totally ignored. It may be simplistic reasoning, but certainly not incorrect.

Just my humble opionion...
- Alan
 

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