Thanks, I found it myself last night, and started to watch it.
I think this and its companion piece, taken together, are actually the complete answer to my thread title. Together, they're almost as long as
Sicko, they cover pretty much exactly the same points (the problems with the US health insurance market, and the fact that countries with universal healthcare systems are not exactly hell-holes of poor care), and it's done in a fairly straight documentary style.
Personally, I didn't find
Sicko's presentational strategy off-putting. Sometimes trying to evoke an emotional response to a situation is a proper way of playing it. And it's not as if the anti-universal-healthcare advocates don't do exactly the same.
What annoyed my about
Sicko was the lack of detail about some of the cases, so that we didn't know precisely what the problem was in the system that had led to the person's situation, or sometimes even if they were representing the situation quite fairly. However, so far I've found nothing to suggest gross misrepresentation anything like the sort that was so obvious in the Stossel examples and others.
The most misleading one I've noted so far was the Tracy Pierce story. The situation described might just as easily have happened in a country with universal healthcare - a dying man was clutching at straws and applying for untested treatments of dubious efficacy. The real irony here was a bit too subtle for Moore. That when this happens in the NHS (for example) the US right wing starts howling about rationing, and denial of care, and putting a price on human life, and having a "bureaucrat" between you and your doctor (no, these decisions are made by senior consultants, not bureaucrats). But exactly the same thing happens in the USA, because it's inevitable when terminal illness encounters an expensive straw to clutch at, and this is the real message of the sad case of Tracy Pierce.
The Frontline examples are all more fully explained, and without the emotional overtones. They're just as shocking as
Sicko. So, if this is what the Moore-bashers wanted, they got it. The material exists. It's well done, indeed.
So how come this has such a low profile?
Rolfe (going to watch the rest).