garys_2k said:
So, is that like seeing the light from the clock blueshifted? I would assume that George would see it blueshifted (he's plowing headlong into the photons), correct?
A blueshift does happen. It's exactly like looking at pulses of light, only at a much finer level.
Now, how does that light-hitting-George-first/clock-running-faster/MAYBE-blueshift thing make it seem that (in the case of one ship, light clock at the front and observed from the back) make it look like the ship is getting elongated? Or is it squashed shorter?
I think I see what you're saying, but I'm not quite sure, so please correct me if I'm wrong. To make it simple, let's say that George's ship is under constant acceleration. Ignore Fred. George tries to measure his ship by sending out a pulse of light from the stern of the ship to a mirror at the prow and times how long it takes to go forward and return, then calculates the length of his ship by that time multiplied by
c. He knows the time
t that it will take, by his clock, when he is not accelerating. The time he measures it as taking will be slightly longer than
t, so he could conclude, in a sense, that his ship is slightly longer (at least the part that's to the front of him).
Similarly, if he were at the prow of the ship and sent a light pulse to a mirror at the stern, he would conclude that, in a sense, the sternward part would look shorter.
If, however, he measured it with a stick, he would of course get the same result as if he had not been accelerating.
Of course, under constant acceleration, this apparent lengthening and contraction would be constant, which is how I justified saying that the distance would be constant and result in the faster clock at the prow.
It gets worse. Let's say that he tried to measure the width of the spaceship by the same means. Because he's accelerating, the path of the light to him would be curved, so he'd have to point the light slightly forward of the surface normal.
Also because of the curvature, he will actually see it as longer if he looks forward, if he compares it with a standard perspective transformation. I've attached a crappy little diagram to show this.
By now it should be ovbious why, while SR is nice and simple and linear, GR is nonlinear and complex.