I'm actually right though. When I wrote change in voltage I actually meant the phase angle/velocity of a wave. Anyone can hear that distortion and the factor also relies on on the Inductance and the Capacitance of the wire. Technically speaking though to determine the attenuation constant you need to determine the Resistance, Inductance, Capacitance, and the Transconductance.For audio frequencies, inductance and capacitance in wire for speakers means almost nothing. If you can hear a .1db loss at 20khz for a 10 foot run, you’re not human.
Paul
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No.I'm actually right though. When I wrote change in voltage I actually meant the phase angle/velocity of a wave. That anyone can hear.
The reason why you have no problems is because no one builds cables that intruduce distortions. It's just idiotic and quite frankly I've never heard of it before. Unless you can show me a cable where there is an imaginary component to the resistance you don't have any cable that distorts the frequency. Which brings me back to the original point. Unfortunatly, reading the first website I searched about audio cables leaves me confused.I am a Ham Radio operator, and have a radio in the 450mhz range, if wire cause problems at audio frequencies like the snake oil sellers say, I would be all over the spectrum and not be able to use my radio. .
It's just too needlessly complex for me to go through all that design for something that isn't eve necessary. Then again judging from his other post about a power cord.Paul
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LinkExtreme Skeptic said:I will make a movie called "The man who never had a girlfriend" and "The 100+ year old virgin". It's going to be a true story about me.
There is nothing to design when it comes to wire. Good gauge wire for the speakers with good ends (gold because it does not corrode) are all that is needed. Power cords are BS too, just so much woo-woo for people haven't who haven't got a clue. Just well make cables are all that is needed, nothing expensive.It's just too needlessly complex for me to go through all that design for something that isn't eve necessary. Then again judging from his other post about a power cord.
I have no errors, these are woo-woo papers.PaulHoff and Techno have some errors in their posts.
http://www.theaudiocritic.com/cwo/Back_Issues/
http://www.bruce.coppola.name/audio/cableInteractions.pdf
Cheap ham, I guess you think it has something to do with CB radio.the output impedance of a tube amp is low, and speakers can dip to 3 ohms, and this is what can cause "issues." fortunately you don't have 5+ dB TL loss as is typical with cheap ham installations.
and radio is not somehow limited to the range above 20 khz. there have been plenty of stations which transmitted in the AF range.
the JAES is not woo, it's the primary journal in the audio world.
The reason why you have no problems is because no one builds cables that intruduce distortions. It's just idiotic and quite frankly I've never heard of it before.
Forgive me but you don't have to match impedance at least from my rudimentary understanding. It's just not a high enough frequency to matter unless your stringing out 9 miles of audio cable. The rule of thumb being that if (length/wavelength of signal)>.01 you have to do all the above stuff. My calculations assume that the signal is traveling at the speed of light.the output impedance of a tube amp is low, and speakers can dip to 3 ohms, and this is what can cause "issues." fortunately you don't have 5+ dB TL loss as is typical with cheap ham installations.
and radio is not somehow limited to the range above 20 khz. there have been plenty of stations which transmitted in the AF range.
the JAES is not woo, it's the primary journal in the audio world.
Just as a side note this discussion only applies to audio cables. Telephone cables defiantly have problems with the phenomenon because of the lengths involved.Tell me where are the problems with audio and wire.
That's wrong. Audio cables do have an important effect on how the music sounds. It's the influence of electromagnetics and audio cables fall under transmission line theory. If a wire is considered a transmission line you can no longer use traditional circuit theory of assuming that the voltage of a wire is constant. The voltage changes in respect to the position of a wire. [Heaviside condition to be continued]
This is true, and wire used for speakers comes, as you know, nowhere near the length needed even for 20 kHz.Just as a side note this discussion only applies to audio cables. Telephone cables defiantly have problems with the phenomenon because of the lengths involved.
That length would be about 500 feet for 20 kHz, and even with a slow velocity factor of 60%, that length would be 300 feet.A common rule of thumb (justified in the input impedance section) is that the cable or wire should be treated as a transmission line if the length is greater than 1/100 of the wavelength.
Well I think that a lot of this wouldn't get under my skin, if my only audio friend didn't buy into so much of the wire and cable woo-woo. He changes wire and therefore thinks that he must hear a difference, after all, he is an audiophile. And even if he does know that people lie all the time about their products, audiophile people never would.Don't give him any ideas, Paul, or we'll be seeing "Swedish man dies after 1000ft reel of cable falls on him" in the news.
This would be hilarious, if not for the fact that this guy thinks he's serious. It's thanks to people like him and Fremer that I refuse to apply the "audiophile" label to myself.