epepke
Philosopher
- Joined
- Oct 22, 2003
- Messages
- 9,264
Or, rather, how are they made with such an amazing amount of stuff in them? I've read that dreams don't really last longer than five minutes or so, but they're amazingly detailed.
Here's a dream that I had last night. It was an office dream, and I've had a lot of those recently, because I'm unemployed and don't like it. They all end with the same punchline, when I realize that they aren't paying me any more.
The office was in a room, longer east-west than north-south. The entrance, a darkish wooden door that opened in and south into the room, was on the west wall. On the north wall was a single window in the center, an old-fashioned wood slide-up window the same color as the door. The panes had been covered with a reddish brown adhesive material that was peeling in places. The walls were covered in aging and faded posters.
On the east wall were several filing cabinets upon which had been piled papers and some of those trapezoidal wire baskets. There were four desks in the room, two near the north wall and two near the south wall. The north desks faced south, and the south desks faced north. All four desks were made of that grey-painted steel with a dimple finish that was so popular in the early 60's, with that black rubbery coating on the top that gets sticky after a while. It had the look of a room in a University, where they haven't had the money to buy furniture in a long time.
My desk was at the southwest corner. Sam's desk was at the northwest corner. Sam resembled a Sam that I knew in real life, but his face was wider, and his hair was more unkempt, a kind of cigarette-stained blonde. Tom's desk was at the northeast corner, facing mine. I had to think to remember Tom's name, because he was a new guy. He had bushy black hair and a black beard and was wearing a black, gray, and white sort-of-tartan flannel shirt. I don't remember Tom from real life. Sam was wearing a white shirt with horizontal tan sewn-in stripes.
We had just finished a milestone, so we had each been rewarded with a glass of white wine. I looked at mine on my desk. It was in a plastic frame cube, molded whole but looking like 12 hollow parallelopipeds in a cube frame shape. The cube was a reddish brown. It had obviously been molded cheaply, as the surface was slightly concave except at the edges and had that streaky quality of cheap moldings. Also molded into the cube was a support for the base of the glass, and a circular socket. In this socket was the other part of the support. A vertical cylinder of plastic, with at the top a rotatable piece with a flat flange on the top to grip and a flat flange that rotated and went under the top frame of the cube to hold it in place. Also on a hinge coming out from the top was a short stick of plastic with a cap that sealed over the top of the wine glass. All of this was made out of a slightly flexible, greenish cyan, almost fluorescent plastic. I thought this was pretty clever. I knew in the dream that there was a regulation that wine could only be poured in the cafeteria. This arrangement allowed glasses to be stacked in the wire cart that they used to deliver the mail, which I knew was delivered usually by a tall, stocky, fiftyish woman with salt-and-pepper hair.
I opened it up, took the glass of wine out of the box. It was a 3 oz. rounded glass, with that opalescent finish that some wine glasses had. The wine was a white wine, a bit dark in color. I tasted it. It has a very bright taste, redolent of high alcohol content and was quite acidic, but in body it was like a Vouvray.
All this time, I knew I was dreaming, as I almost always do. I noticed that the long cylindrical part, when it was on my desk, was a bit longer that would fit into the cube. So I examined it. I saw that the long cylindrical part was actually two pieces, with an internal plunging spring (which I could see when I pulled it apart). I could also see the helical spring that made the cap come down over the wine, and on the underside of the cap, I could see a black O-ring recessed in the groove around the lip.
I went over and thanked Sam, and it was at this point that the ever-present punchline came. I actually wasn't being paid by them, and so I decided to go. I looked for my personal books to take home. They were under the desk. There were no drawers on the desk, but there were two shelves, made of thin sheet steel (with that same paint) and curled over and crimped at the front lip to make it safe. Neither shelf was full, so books were slouched over (to the left). I recognized one book, which was an Oracle manual, about 9 cm thick and 8 1/2 by 11, a paperback, but the logo was not the usual one, but rather something in a square, patterned in red, blue, and black. I took that one and another paperback, thinner but the same paper size, and left.
I have taken great effort not to reconstruct details here but limit it only to what I directly remember. I cannot remember what was on the desks (except that there were no computers). I cannot remember the lighting, or whether the floor was tile or carpet. I don't know how many drawers each the file cabinets on the East side had. I don't know what the chairs looked like.
But still, that's a hell of a lot of detail for my brain just to invent in five minutes. I'm pretty sure that I couldn't invent that much detail in five minutes while awake. I'm not an artist, and I generally have a great deal of difficulty making up these kinds of things.
So, how does this happen?
I used to have the hypothesis that, in a dream, there isn't actual detail, but mostly the illusion that detail exists somewhere. That's why, in a dream, I try to examine the most unusual part and see if I can find detail.
I also had the hypothesis that dreams were just pastiches of things that one had seen before, just put together in odd ways. However, the details of this room, as well as other things I've dreamed, fit into the overall "design." Someone would make a set just like this for an old University setting. In the past I've dreamt of modern office settings, where charcoal-grey cylinders and clear glass windows at angles were the architectural theme. I've also seen shopping malls, in verdigris green and bronze, giving a sort of "gay 90s" quality.
I also had the hypothesis that dreams didn't really have the detail, but only the impression that there is detail there. That's why, in a dream, I always make an effort to examine something. In this case, it was the wine box and the wine. I don't think I've ever seen anything like that in real life before. It was quite detailed, and it was also a good design. I could build a prototype of that, and it would work, and even though I've never farmed out anything for injection-molding, I'm pretty sure that it's possible.
So I have to wonder if, during dreaming, the brain is actually working terribly hard and really doing all this lighting and modeling work. But that seems a lot of work for a brain to do. Any ideas?
Here's a dream that I had last night. It was an office dream, and I've had a lot of those recently, because I'm unemployed and don't like it. They all end with the same punchline, when I realize that they aren't paying me any more.
The office was in a room, longer east-west than north-south. The entrance, a darkish wooden door that opened in and south into the room, was on the west wall. On the north wall was a single window in the center, an old-fashioned wood slide-up window the same color as the door. The panes had been covered with a reddish brown adhesive material that was peeling in places. The walls were covered in aging and faded posters.
On the east wall were several filing cabinets upon which had been piled papers and some of those trapezoidal wire baskets. There were four desks in the room, two near the north wall and two near the south wall. The north desks faced south, and the south desks faced north. All four desks were made of that grey-painted steel with a dimple finish that was so popular in the early 60's, with that black rubbery coating on the top that gets sticky after a while. It had the look of a room in a University, where they haven't had the money to buy furniture in a long time.
My desk was at the southwest corner. Sam's desk was at the northwest corner. Sam resembled a Sam that I knew in real life, but his face was wider, and his hair was more unkempt, a kind of cigarette-stained blonde. Tom's desk was at the northeast corner, facing mine. I had to think to remember Tom's name, because he was a new guy. He had bushy black hair and a black beard and was wearing a black, gray, and white sort-of-tartan flannel shirt. I don't remember Tom from real life. Sam was wearing a white shirt with horizontal tan sewn-in stripes.
We had just finished a milestone, so we had each been rewarded with a glass of white wine. I looked at mine on my desk. It was in a plastic frame cube, molded whole but looking like 12 hollow parallelopipeds in a cube frame shape. The cube was a reddish brown. It had obviously been molded cheaply, as the surface was slightly concave except at the edges and had that streaky quality of cheap moldings. Also molded into the cube was a support for the base of the glass, and a circular socket. In this socket was the other part of the support. A vertical cylinder of plastic, with at the top a rotatable piece with a flat flange on the top to grip and a flat flange that rotated and went under the top frame of the cube to hold it in place. Also on a hinge coming out from the top was a short stick of plastic with a cap that sealed over the top of the wine glass. All of this was made out of a slightly flexible, greenish cyan, almost fluorescent plastic. I thought this was pretty clever. I knew in the dream that there was a regulation that wine could only be poured in the cafeteria. This arrangement allowed glasses to be stacked in the wire cart that they used to deliver the mail, which I knew was delivered usually by a tall, stocky, fiftyish woman with salt-and-pepper hair.
I opened it up, took the glass of wine out of the box. It was a 3 oz. rounded glass, with that opalescent finish that some wine glasses had. The wine was a white wine, a bit dark in color. I tasted it. It has a very bright taste, redolent of high alcohol content and was quite acidic, but in body it was like a Vouvray.
All this time, I knew I was dreaming, as I almost always do. I noticed that the long cylindrical part, when it was on my desk, was a bit longer that would fit into the cube. So I examined it. I saw that the long cylindrical part was actually two pieces, with an internal plunging spring (which I could see when I pulled it apart). I could also see the helical spring that made the cap come down over the wine, and on the underside of the cap, I could see a black O-ring recessed in the groove around the lip.
I went over and thanked Sam, and it was at this point that the ever-present punchline came. I actually wasn't being paid by them, and so I decided to go. I looked for my personal books to take home. They were under the desk. There were no drawers on the desk, but there were two shelves, made of thin sheet steel (with that same paint) and curled over and crimped at the front lip to make it safe. Neither shelf was full, so books were slouched over (to the left). I recognized one book, which was an Oracle manual, about 9 cm thick and 8 1/2 by 11, a paperback, but the logo was not the usual one, but rather something in a square, patterned in red, blue, and black. I took that one and another paperback, thinner but the same paper size, and left.
I have taken great effort not to reconstruct details here but limit it only to what I directly remember. I cannot remember what was on the desks (except that there were no computers). I cannot remember the lighting, or whether the floor was tile or carpet. I don't know how many drawers each the file cabinets on the East side had. I don't know what the chairs looked like.
But still, that's a hell of a lot of detail for my brain just to invent in five minutes. I'm pretty sure that I couldn't invent that much detail in five minutes while awake. I'm not an artist, and I generally have a great deal of difficulty making up these kinds of things.
So, how does this happen?
I used to have the hypothesis that, in a dream, there isn't actual detail, but mostly the illusion that detail exists somewhere. That's why, in a dream, I try to examine the most unusual part and see if I can find detail.
I also had the hypothesis that dreams were just pastiches of things that one had seen before, just put together in odd ways. However, the details of this room, as well as other things I've dreamed, fit into the overall "design." Someone would make a set just like this for an old University setting. In the past I've dreamt of modern office settings, where charcoal-grey cylinders and clear glass windows at angles were the architectural theme. I've also seen shopping malls, in verdigris green and bronze, giving a sort of "gay 90s" quality.
I also had the hypothesis that dreams didn't really have the detail, but only the impression that there is detail there. That's why, in a dream, I always make an effort to examine something. In this case, it was the wine box and the wine. I don't think I've ever seen anything like that in real life before. It was quite detailed, and it was also a good design. I could build a prototype of that, and it would work, and even though I've never farmed out anything for injection-molding, I'm pretty sure that it's possible.
So I have to wonder if, during dreaming, the brain is actually working terribly hard and really doing all this lighting and modeling work. But that seems a lot of work for a brain to do. Any ideas?