TBK is right. It is a trick, and not a particularly hard one. Furthermore, it is nearly impossible to catch out the scammer. It is like Three Card Monte that way. Regardless if you know the method, you cannot tell when an expert makes "the move."
For the umpteenth time, I echo what Garrette said. I learned this trick at TAM2 ... well, not actually AT TAM2, but at a magicians' convention that was being held at one of the other nearby hotels, with some really big names there ... but what I'm trying to say is that I learned it from a pro.TBK is right. It is a trick, and not a particularly hard one. Furthermore, it is nearly impossible to catch out the scammer. It is like Three Card Monte that way. Regardless if you know the method, you cannot tell when an expert makes "the move."
The move at 1:50 is not the key move; that came much earlier. My point, though, is that both moves are indistinguishable from him not making the move, so that eve an expert cannot tell if he is switching the ball's location or merely looking as if he is, caveated, of course, with Brown's observation that I am referring to professional performers.Garrett, he actually shows the "secret move" by mistake at 1:50 when he shows where the ball is.
I like the comments the guy filming makes at the end..."They're all together..."
On a brighter note, is that a carpet sample or maybe a car floor mat? Great surface to work on and the rubber backing probably gives it durability for street use.
Not a fan of working on the ground though -- too much leg and knee work. Imagine an hour or two of squatting or kneeling on the hard pavement. Yikes.
The move at 1:50 is not the key move; that came much earlier. My point, though, is that both moves are indistinguishable from him not making the move, so that eve an expert cannot tell if he is switching the ball's location or merely looking as if he is, caveated, of course, with Brown's observation that I am referring to professional performers.
Hmm. Yes and no. In a sense, none of the props needs to have any special properties. For example, it is not necessary that a shell seem to be solid, yet have a secret soft flap or trap door ...Sure it is. He means to flip the box over to show the pea, but instead slides it and the pea pops out. Maybe "secret property" is a better description than "secret move."
Hmm. Yes and no. In a sense, none of the props needs to have any special properties. For example, it is not necessary that a shell seem to be solid, yet have a secret soft flap or trap door ...
Indeed, all of the props are capable of withstanding examination from a spectator. The spectator would see that each prop is exactly what it seems to be. Smart performers generally don't let spectators examine all of the props at once, however, lest one of the secrets of the overall effect be inadvertently exposed. In that sense, it could be said that the props, working in concert, have a sort of secret property.
It looks like Bob Sheets is one of the instructors. I watched Bob Sheets do his routine once, and his was the most entertaining to watch. He could fool you without making you feel like you were a fool (unless you were a "wise guy," in which case he could humiliate you). One of the techniques I've borrowed from Bob, not just for the shell game but for other effects, is:Yes, that is what I meant and why the mat was of interest to me as well.
This is my favorite on the subject: http://www.chefanton.com/scoundrelsstore/shell_game.htm
(No commercial interest on my part, I just really like the instruction in this one.)
I use a standard mat myself. But I do lots of card tricks too.
Scum like that should be jailed. Using conjurer tricks to swindle people is wrong.
I saw some guys doing the shell game scam today. Did it right in front of me and I couldn't see how he did it. I can see how he would place it under the new box but can't see how he got it from under the original one.
The video is private..