Michael Moore elicits a very specific type of status anxiety in mainstream journalists. Moore's product -- passionate, provocative political commentary -- is a close cousin of the media's product -- bloodless, boring political commentary. And Moore is a former journalist, an editor at papers in Flint, Michigan and Mother Jones. What he does is, broadly speaking, in the same realm as what they do. But there are differences between the product he puts out, and what the media offers. A major one is that Moore's releases strike massive emotional chords with the American people, setting off weeks of heated discussion every time he unveils a film. Additionally, he is paid in the tens of million for the production of his documentaries and invited to Cannes when they're released. Nice as the occasional invitation to the White House Correspondents Dinner may be, the two just don't compare.
So there's an acute desire on the part of the press to separate what Moore does from what they do, both in order to explain away his successes and to underscore their own assumed strengths (objectivity, rationality, etc). His failings may be manifold, but that
hardly renders him unique. His treatment, however,
is unique. The world is full of political provocateurs and public hotheads, but only Moore triggers the media's all-too-absent obsession with factual accuracy. Ann Coulter doesn't, and Al Franken doesn't, and Rush Limbaugh doesn't, and Mitt Romney doesn't. Only Moore. Because he scares them.
Here's a radical thought, though:
Maybe if these mainstream media types were as incredulous towards the powerful as they are to Moore, his productions wouldn't pose a threat. After all, there's nothing wrong with fact-checking, and asking hard questions, and raising an oppositional eyebrow towards pabulum and propaganda.
The problem isn't that the media is so quick to doubt Moore. It's that they're so trusting the rest of the time. (excerpt from Ezra Klein article from American Prospect. Emphasis added)