Mephisto
Philosopher
- Joined
- Apr 10, 2005
- Messages
- 6,064
And have a GREAT time doing it!
I've dropped this subject in a couple of other threads (in Politics, no less) and I thought this might be an even better forum to mention it.
I'm talking about a fairly new publication of Dante's Inferno adapted and translated by Sandow Birk and Marcus Sanders (Chronicle Books, San Francisco, 2004).
It's the old story of Virgil leading Dante through Hell, but it's been updated in both illustration (all the illustrations were done by Birk) and translation. The illustrations in particular are superb and the bleak urban imagery typifies my idea of a modern Hell. The story is somewhat updated with the inclusion of several modern day characters (Siegfred & Roy are among the Sodomites) and modern day settings (the gluttons are surrounded by McDonald's, Burger King and Taco Bell).
I've recently acquired a book of Gustave Dore's illustrations of The Inferno and after comparing the two was pleasantly surprised that Birk apparently studied the early illustrations with a keen eye which he carried over into his own. Of course, there are "new & improved" monsters in the newer illustrations. Geryon becomes a helicopter, the giant in Canto XXXI is an inflatable Fred Flintstone and the edge of the Malebolge in Canto XVIII is strewn with overturned Porta-Pots.
Definitely worth a look if you like Dante or The Inferno. Birk illustrated the entire Commedia, but as always the first book remains the most interesting.
(edited to add) Sandow Birk was interviewed in last month's issue of Juxtapoz magazine which also includes several of his illustrations.
I've dropped this subject in a couple of other threads (in Politics, no less) and I thought this might be an even better forum to mention it.
I'm talking about a fairly new publication of Dante's Inferno adapted and translated by Sandow Birk and Marcus Sanders (Chronicle Books, San Francisco, 2004).
It's the old story of Virgil leading Dante through Hell, but it's been updated in both illustration (all the illustrations were done by Birk) and translation. The illustrations in particular are superb and the bleak urban imagery typifies my idea of a modern Hell. The story is somewhat updated with the inclusion of several modern day characters (Siegfred & Roy are among the Sodomites) and modern day settings (the gluttons are surrounded by McDonald's, Burger King and Taco Bell).
I've recently acquired a book of Gustave Dore's illustrations of The Inferno and after comparing the two was pleasantly surprised that Birk apparently studied the early illustrations with a keen eye which he carried over into his own. Of course, there are "new & improved" monsters in the newer illustrations. Geryon becomes a helicopter, the giant in Canto XXXI is an inflatable Fred Flintstone and the edge of the Malebolge in Canto XVIII is strewn with overturned Porta-Pots.
Definitely worth a look if you like Dante or The Inferno. Birk illustrated the entire Commedia, but as always the first book remains the most interesting.
(edited to add) Sandow Birk was interviewed in last month's issue of Juxtapoz magazine which also includes several of his illustrations.