jhunter1163
beer-swilling semiliterate
Having DRG in charge of your factchecking is like having Willie Sutton in charge of your bank's security.
Rosa Parks, Simon Wiesenthal, Winston Churchill, and Nelson Mandela
We will release our new film Loose Change Final Cut on the weekend preceding September 11th 2007, with screenings planned in key cities in the United States. Where we can’t release theatrically we will release online through pay-per-view. Already distributors in the UK, Australia, Norway, Denmark, Holland, Belgium, Sweden, France, Finland, Italy, and Japan are clamouring for rights to show the film in movie theatres and television stations are making bids to show the film soon after theatrical release.
I'm a little confused by this "Already distributors.." thing. Already? Isn't it getting a little late if it's going to make it into theaters in September?
I'm in the second largest city in Norway and looked up the September, November and December lineup without seeing Loose Change there. Haven't we been clamoring loudly enough?
Although... I guess "screenings" doesn't necessarily have to imply actual movie theaters.
The truth movement gives importance to their lives.
I just read the press release. I just love the wording used:
"...demonic forces that seek to silence us...vicious intimidation...intimidators...attacking our supporters...continued resolve ...our campaign...are all fighting...attacks on our supporters...not veer from our course...confront our enemies...counter the evil...battles we have fought...attack...attack...intimidate...each person they strike...We will prevail...."
Sorry Dylan, but this isn't a war at all. Not even a skirmish.
Since this seems to be theater bound, is that going to limit any 'ScrewLooseChange' or 'Loose Change Viewer's Guide' type debunkings due to the copyright issues?
I suspect that most of Dylan's footage is going to look like crap when it's transferred to 35mm film and projected onto a decent sized screen. I can;t see many theatres being interested in taking the movie.
Also, I'm pretty sure that all this talk of $20m advertising budgets and aiming for 3,000 screens is rubbish. Here's some details of documentaries that I had heard of (spoiler tagged because it's a long list)
Of the 30 documentaries listed in the spoiler tags, none showed on 3,000 screens in the US and only four grossed more than $20m in the US:
NB All figures are for the US only.
Outfoxed - July 13, 2004 DVD only
Theatrical release Aug 6 2004, 5 screens, 11 in week 2, 17 in week 3, ran 3 weeks, grossed approx $237,000
Enron: The Smartest Guys in the Room - April 22, 2005
Opened on 3 screens, 49 screens in 2nd week, peaked at 151 screens (week 5), ran for 22 weeks, grossed approx $4m
Death of a President - October 27, 2006
Opened on 91 screens, ran for 1 week, grossed $167,000
Chavez: Inside the Coup - March 7 2003
Showed at the South by Southwest Film Festival
-----------------------------------------------------------
Michael Moore:
Roger & Me - September 27 1989 (New York Film Festival)
December 20 1989 (Theatrical Realease)
Grossed approx $6.7m
The Big One - April 10 1998
Opened on 33 screens, ran for 5 weeks, grossed approx $650,000
Bowling for Columbine - Oct 11 2002
Opened on 8 screens, 46 screens in week 2, 111 in week 3, peaked at 248 (week 6), ran for 30 weeks, grossed approx $21m
Farenheit 9/11 - June 25 2004
Opened on 868 Screens, 1,725 in week 2, peaked a 2,011 (week 3), ran for 15 weeks, grossed approx $120m
--------------------------------------------------------
An Inconvenient Truth - May 26 2006
Opened on unknown number of screens, 77 in week 2, peaked at 587 (week 6), ran for 23 weeks, grossed approx $24m
Super Size Me - May 7 2004
Opened on 41 screens, 113 in week 2, peaked at 230 (weeks 6-7), ran for 21 weeks, grossed approx $11.5
What the Bleep Do We Know!? - June 18 2004
Opened on 11 screens, peaked at 146 (week 23), ran for 44 weeks, grossed approx $11m
The Road to Guantanamo - June 23 2006
Opened on 15 screens, peaked at 18 (week 2), ran for 6 weeks, grossed approx $300,000
The Corporation - June 4 2004
Opened on 2 screens, 7 in week 2, peaked at 28 (week 8), ran for 24 weeks, grossed approx $1.9m
The Fog of War - December 19 2003
Opened on 3 screens, 5 in week 2, peaked at 261 (week 12), ran for 22 weeks, grossed approx $4.2m
March of the Penguins - June 24 2005
Opened on 4 screens, 30 in week 2, 64 in week 3, peaked at 2,506 (week 11), ran for 23 weeks, grossed approx $77m
Touching the Void - January 23 2004
Opened on 5 screens, peaked at 137 (week 9), ran for 20 weeks, grossed approx $4.5m
Inside Deep Throat - February 11 2005
Opened on 12 screens, peaked at 27 (weeks 2-3), ran for 10 weeks, grossed approx $650,000
Murderball - July 8 2005
Opened on 8 screens, 26 in week 3, 75 in week 4, peaked at 97 (week 6), ran for 11 weeks, grossed approx $1.5m
Dogtown and Z-Boys - April 26 2002
Opened on 20 screens, peaked at 70 (week 3), ran for 15 weeks, grossed approx $1.3m
Hoop Dreams - January 1994 (Sundance Film Festival)
Theatrical Release: October 14 1994, grossed approx $7.8m
When We We Kings - February 21 1997
Ran for 15 weeks, grossed approx $2.6m
The Devil and Daniel Johnston - March 31 2006
Opened on an unknown number of screens, 12 in week 2, peaked at 17 (week 10), ran for 20 weeks, grossed approx $330,000
Lost in La Mancha - January 31 2003
Opened on 8 screens, peaked at 24 (week 5), ran for 21 weeks, grossed approx $730,000
Buena Vista Social Club - June 4 1999
Opened on 15 screens, ran for 35 weeks, grossed approx $7m
Metallica: Some Kind of Monster - July 9 2004
Opened on 3 screens, 23 in week 2, 42 in week 3, peaked at 147 (week 4), ran for 16 weeks, grossed approx $1.2m
Capturing the Friedmans - May 30 2003
Opened on 3 screens, 38 in week 3, peaked at 78 (week 8), ran for 20 weeks, grossed approx $3.1m
Spellbound - May 2 2003
Opened on 1 screen, 13 in week 3, peaked at 117 (weeks 9 and 11), ran for 32 weeks, grossed approx $5.7m
America: Freedom to Fascism - July 28 2006
Opened on 10 screens, ran for 1 week, grossed approx $61,000
The Kid Stays in the Picture - July 26 2002
Opened on 4 screens, 45 in week 3, peaked at 56 (weeks 4-5), ran for 11 weeks, grossed approx $1.4m
Dig! - October 1 2004
Opened on 2 screens, peaked at 10 (week 2), ran for 12 weeks, grossed approx $127,000
Bowling for Columbine ($21m), Farenheit 9/11 ($120m), An Inconvenient Truth ($24m), March of the Penguins ($77m)
Another two grossed between $10m and $20m:
Super Size Me ($11.5m), What the Bleep Do We Know!? ($11m)
And a further four grossed between $5m and $10m:
Roger & Me ($6.7m), Hoop Dreams ($7.8m), Buena Vista Social Club ($7m), Spellbound ($5.7m)
"Demonic forces"?
"For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places." - Ephesians 6:12.
Hey, didn't we use to be NWO shills? Now we're creatures from the Pit.
Cool!
Bags I Beelzebub --- Lord of the Fly-Overs.
Dylan "Painful Deceptions" Avery said:We wholeheartedly condemn the actions of the disgraceful rabble that are attacking our supporters, and put them on notice of our continued resolve to expose the biggest hoax in history.
Dylan "EEEdiot" Avery said:Furthermore, we believe that in attracting the vilification of those who clearly don’t respect the 1st amendment of the US constitution means we have reached a point in our campaign from which there is no turning back.
Dylan "Noxious Fumes" Avery said:400 leading professors, pilots, physicists, politicians, law enforcement officials, 9/11 victim’s families are all fighting for 9/11 truth. Crucially according to respected pollsters, ‘Zogby’ over 42% of the American population, now believe that there has been a cover up over 9/11.
Dylan "Screwball" Avery said:The evidence we have collated for the movie has been fact-checked for accuracy by Dr. David Ray Griffin, and our message, that the official story of 9/11 cannot be true, will resonate around the world.
Dylan "Tomb Raider" Avery said:Like Rosa Parks, Simon Wiesenthal, Winston Churchill, and Nelson Mandela, we will not veer from our course and we will not shut up.
Dylan "Pants on Fire" Avery said:None of us chose 9/11 as our cause; it chose us. We didn’t want to believe the hoax of 9/11 but our heads and our hearts told us; that the official story just didn’t add up; that the laws of physics can’t lie; that 300 degree celsius fires can’t melt steel; that Building Seven, that 47 story steel and concrete edifice couldn’t just implode suddenly at 5.20PM on the afternoon of 11th September; and the BBC couldn’t have predicted and announced its implosion 20 minutes before it happened, unless forewarned.
Dylan "Ego-Man" Avery said:Our movement has representatives from every country, every religion, every political strand, every income group, millions of us, all united in our conviction that the official story of 9/11 cannot be true. Our number is growing exponentially each day, as the clarity of our message gradually shines through - the fog of war promising to lift, with the dawn of the truth and a new day. We will expose the crime that was 9/11. We will prevail.
What's this about "the vilification of those who clearly don’t respect the 1st amendment of the US constitution"?
Is someone suing him over copyright issues, or what?
To say David Ray Griffin is a better fact-checker than Jason bermas, would be like saying "well that turd doesn't smell as bad as that other turd"."...because at least he's better than Jason."