If you have no reason not to test, why postpone it?
Hans
The answer is in my post : "I'm in no rush so I postponed it."
If you have no reason not to test, why postpone it?
Hans
If I thought I had a legitimate chance of relieving Mr. Randi of his million dollars, I'd do it as quickly as possible. Time is money, friend. You are losing out on compounded interest.The answer is in my post : "I'm in no rush so I postponed it."
The answer is in my post : "I'm in no rush so I postponed it."
We have a saying in Holland that getting into a rush most of the time isn't a smart thing to do. I'm in no desperate need of $1.000.000,-, so I'm not in a rush. Simple as that.

I once calculated that if you take a 56-lead flat cable and connect the leads alternately, you can actually approach a charateristic impedance of 8 ohms, but I doubt it gives you much advantage over heavy gauge copper.
Whenever you do that, you really have to pay attention to the shunt capacitance and how it's going to interact with your amp.
"things" have happened due to too much shunt capacitance in a cable.
Get, if you want to I am willing to assist. For a percentage of course.
Do you live nearby?
Actually not. If you really achieve an impedance match, the cable will act non-reactive. .... Whether any amplifier outputs exist that are non-reactive at the specified output impedance over even a fraction of their frequency range is quite another question.
- I'm not saying impedance match is going to make the sound better, but at least it is something audiophiles could pursue that would have some kind of roots in the real world.
Hans
I'm sure he lives nearby.
... The question is nearby what.
Hans
Except that into any normal amplifier there isn o such thing as an "impedence match". Any modern amplifier has an output impedence in the milliohms.
How you match milliohms to 4 to 8 via a cable is not for this world of physics.
Don't forget that the load impedence rating for an audio amplifier is NOT the output impedence.
And given that one can take an impedence meter, and measure the impedence of such a cable (I've done it) and measure close to 1 nanofarad, well, the real world doesn't give you anything close to non-reactive.
I'm talking real numbers in the real world here.
Lest you think that 1 nanofarad is unrealistic, well, let's say I was surprised as well. The amplifer it was connected to was much more than merely surprised, it let out the magic smoke, and blew its fuses.
I don't think they used these fuses, though:
http://www.aaudioimports.com/ShowProduct.asp?hProduct=37
. . .
Actually, it's not. If you take a look at any modern amplifier, there is an inductor in the output circuit after the feedback point (not very big inductor of course) in order to prevent issues with capacitive loads. For some amps, 1 nF has been, previously, easily enough to simply push them over the edge.A nF won't surprise me at all, but that is also a negligible capacity for a low-impedance AF circuit.
Oh I have seen audiophiles staunchly claim benefit from polishing the end-caps on their main power line fuses.
There seems no end to the hilarity in that branch.
Hans
Actually, it's not. If you take a look at any modern amplifier, there is an inductor in the output circuit after the feedback point (not very big inductor of course) in order to prevent issues with capacitive loads. For some amps, 1 nF has been, previously, easily enough to simply push them over the edge.
One of the very visible issues in some early transistor amplifiers that had substantial negative feedback was a lack of such inductor, and as a result, "smoke gets in your eyes". You may argue it's a bad design. I agree. But the one in question was an acclaimed audiophile design. What more do I need to say?
They are special, on that we can agree.
Back to this test, we'll see if any kind of blind test happens, I think. I've heard so many excuses for why blind tests don't work that I'm very tired of the lot, but they all come down to "but I heard something in a sighted test".
The irritating thing is that the 5% sensible stuff is totally drowned in all the bovine excrement.
Room treatment? Is that improving the acoustics of the room?
Hans
F. LP Record Clamp
A legendary Shun Mook product now being made in a very, very limited number. This record clamp is made from extremely rare pieces of dried ebony briar. This extra heavy century old ebony root which were immersed in the swamps of Africa has a unique power that no other wood possesses. The vibration generated by the diamond stylus in the vinyl groove besides inducing an electroflux through the phono-cartridge also excites the ebony molecules, causing it to resonate. This in turn is feed back through the stylus and is reproduced as expanded sound staging, enhanced separation, sharpened focus and enriched tonal balance of the music. Due to the rareness of this timber, there is no doubt that it will become a collector item in the future.
I think Shrike meant to ask if Get lives near Waddinxveen. Which is in Holland, and Get suggests that he is Dutch. Are you, Get?
In this case, "I'm in no rush" at least seems to be honest. Who is in a rush to get their delusions shattered?![]()
Indeed, now I can keep dreaming I hear a difference.
btw. Still in the amplifierbuyingcycle.