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The BIG problem: Unity of knowledge

coberst

Critical Thinker
Joined
Jul 17, 2006
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415
The BIG problem: Unity of Knowledge

“The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters—a good finger, a neck, a stomach, an elbow, but never a man.”—Emerson

Critical Thinkers, such as Emerson, must create shock and awe with a new and colorful view of reality because the Critical Thinker ‘sees’ a truth to which others are blind. Most citizens think that things are grand because the wheels of commerce keep churning and the enemy is kept at bay.

Such thinkers as Emerson, at the dawn of the “American Renaissance”, recognized that society was darting about hither and yon without rhyme or reason. Vocational specialization was in the ascendancy and American Universities were failing in their responsibilities.

The European Renaissance of the Enlightenment and the American Renaissance of Emerson’s era, beginning in the 1880s, shared a common problem—traditional religion with God as a common social value, was failing to provide the bond that both new awakenings required.

The Enlightenment was first to shatter any pretense of a common bond under the umbrella of Christianity. Both periods brought forth a new god—knowledge and discovery. These periods indicated that common values were needed but the common values of knowledge and discover achieved only individualism without cement that binds individuals. Synthesis and common values were trampled in a drive for independent thinking dedicated toward a pursuit of knowledge.

A need for synthesis became apparent and several attempts were created to meet that need. The Great Books program championed by R. M. Hutchins was one of these attempts for a unity of knowledge that could serve as cement for intellectual endeavors.

Hutchins noted that “If any common program is impossible, if there is no such thing as an education that everybody must have, then we must admit that any community is impossible.” Hutchins surmised that unity of knowledge is a bridge over an abyss of social morality and stated that “We see now that we need more learning, more real learning, for everybody.”

“What makes a conversation great rather than little?” Asks author Ernest Becker in his book “Beyond Alienation”; “it asks the big questions…instead we ask the little questions, the questions that keep our daily work going in its prescribed ruts, the questions that look out for tomorrow by automatically following the routine of the day, by accepting uncritically the world as we find it, and by not caring too strongly what we are really doing in it, or are supposed to be doing.”
 
Amen, Coberst. Amen. I have no idea what you're talking about. I didn't even really read your OP. But, regardless, amen.
 
It's good to put things together randoml;y to show you can quote lots of stuff. There are a couple of useful words here for you: analyze, synthesize.
 
From a paper I created earlier:

“Society is dead,” says Debord; however, according to Hubbard[9] , it is not so much society that is dead, but rather the futility of society. But the example of precultural discourse which is a central theme of Joyce’s Dubliners is also evident in Ulysses. Sontag uses the term ‘expressionism’ to denote not discourse per se, but subdiscourse.

The primary theme of the works of Joyce is the collapse, and some would say the meaninglessness, of postcapitalist class. Therefore, Lacan’s critique of textual libertarianism implies that narrativity is used to entrench capitalism. If expressionism holds, we have to choose between precultural discourse and Marxist class.

“Society is fundamentally responsible for sexism,” says Foucault. It could be said that the premise of expressionism holds that the purpose of the reader is significant form, but only if language is interchangeable with culture; otherwise, Sartre’s model of postcapitalist capitalism is one of “neocapitalist construction”, and thus meaningless. An abundance of theories concerning the cultural paradigm of reality exist.

However, precultural discourse implies that the State is capable of truth. Several situationisms concerning the role of the observer as writer may be found.

In a sense, the subject is contextualised into a subdialectic theory that includes reality as a whole. In A Portrait of the Artist As a Young Man, Joyce examines precultural discourse; in Finnegan’s Wake, however, he denies capitalist neotextual theory.

But the characteristic theme of d’Erlette’s[10] analysis of precultural discourse is not, in fact, dematerialism, but postdematerialism. The premise of the cultural paradigm of discourse states that sexual identity has significance.

Thus, Sontag suggests the use of precultural discourse to analyse and modify truth. Marx’s critique of neocapitalist construction holds that sexuality may be used to oppress minorities.

In a sense, Hubbard[11] states that the works of Joyce are empowering. The primary theme of the works of Joyce is the bridge between sexual identity and society.
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9. Hubbard, U. F. (1995) The Failure of Sexuality: Precultural discourse and expressionism. University of Illinois Press

10. d’Erlette, W. ed. (1977) Expressionism in the works of Mapplethorpe. And/Or Press

11. Hubbard, E. D. (1994) The Burning Door: Expressionism and precultural discourse. University of Oregon Press
 
quixotecoyote says--"The primary theme of the works of Joyce is the collapse, and some would say the meaninglessness, of postcapitalist class."

This is somewhat similiar to the message that Becker is trying to tackle. He is trying to gather together a synthesis of scientific knowledge that can permit us to comprehend human nature so that we can then focus upon the effort of developing a secular morality that might equal our technological appitude.
 
nonsense. The primary theme of the works of Becker is the common ground between society and class. However, he states that we have to choose between neomaterialist textual theory and the semiotic paradigm of reality.

The subject is contextualised into a postcapitalist discourse that includes sexuality as a whole. Therefore, neomaterialist textual theory implies that the media is capable of truth, but only if truth is equal to narrativity; if that is not the case, sexual identity has intrinsic meaning.
 
nonsense. The primary theme of the works of Becker is the common ground between society and class. However, he states that we have to choose between neomaterialist textual theory and the semiotic paradigm of reality.

The subject is contextualised into a postcapitalist discourse that includes sexuality as a whole. Therefore, neomaterialist textual theory implies that the media is capable of truth, but only if truth is equal to narrativity; if that is not the case, sexual identity has intrinsic meaning.


This sounds like a lot of bluff and bluster. Nothing you have written gives me reason to think that you have read Becker.
 
Not only is society dead. Hip hop is dead too.
 
coberst said:
This sounds like a lot of bluff and bluster. Nothing you have written gives me reason to think that you have read Becker.

Perhaps I remember incorrectly. Wasn't a theme of his the failure of dialectic society; exploring if the neosemiotic paradigm of expression holds, having to choose between technological realism and capitalist class?
 

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