"I wonder, though, whether the RA's embarrassment is quite the humiliation of modern art that it appears. The argument that the selection panel has been stupid - and fooled into elevating a mistake into art - rests largely on the fact that they were not seeing what the artist intended. But an artist's interpretation of his or her own work has only limited validity; it's outsiders who decide how it goes down. You can write a play and call it a comedy, but if theatregoers don't laugh there's no arguing with them.
Or imagine that the last chapter of a crime novel were accidentally omitted in a mix-up at the printers. Readers and critics who admired the ambiguity of the ending - and welcomed the author's departure from the convention that every loose end must be tied - are not wrong or stupid. They simply responded honestly to what they were shown and expressed a preference for work that was willing to ignore traditions."